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Dubbed 'Deadheads,' these fans became notorious for their adherence to tie-dyed fashions and excessive drug use, their traveling circus ultimately becoming as much a focal point of concert dates as the music itself. As more and more of their psychedelic-era contemporaries ceased to exist, the group continued attracting greater numbers of fans to their shows, many of them following the Dead across the country. It was followed by a pair of classic 1970 studio efforts, Workingman's Dead and American Beauty recorded in homage to the group's country and folk roots, the two albums remained the cornerstone of the Dead's live repertoire for years to follow, with its most popular songs - 'Uncle John's Band,' 'Casey Jones,' 'Sugar Magnolia,' and 'Truckin'' among them - becoming major favorites on FM radio.ĭespite increasing radio airplay and respectable album sales, the Dead remained first and foremost a live act, and as their popularity grew across the world they expanded their touring schedule, taking to the road for much of each year. The Dead's response to the situation was to bow to the demands of fans and record their first live album, 1969's Live/Dead highlighted by a rendition of Garcia's 'Dark Star' clocking in at over 23 minutes, the LP succeeded where its studio predecessors failed in capturing the true essence of the group in all of their improvisational, psychedelicized glory.

Their follow-up, 1968's Anthem of the Sun, fared better in documenting the free-form jam aesthetic of their concerts, but after completing 1969's Aoxomoxoa, their penchant for time-consuming studio experimentation left them over 100,000 dollars in debt to the label. debut LP, a disappointing effort which failed to recapture the cosmic sprawl of their live appearances after performing at the Monterey Pop Festival, the group expanded to a six-piece with the addition of second drummer Mickey Hart. In March of 1967 the Dead issued their self-titled Warner Bros.

Signing to MGM, in 1966 the Dead also recorded their first demos the sessions proved disastrous, and the label dropped the group a short time later.Īs 1967 mutated into the Summer of Love, the Dead emerged as one of the top draws on the Bay Area music scene, honing an eclectic repertoire influenced by folk, country, and the blues while regularly appearing at top local venues including the Fillmore Auditorium, the Avalon Ballroom, and the Carousel.

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As 1965 drew to its close, the Warlocks rechristened themselves the Grateful Dead, the name taken from a folk tale discovered in a dictionary by Garcia bankrolled by chemist/LSD manufacturer Owsley Stanley, the bandmembers soon moved into a communal house situated at 710 Ashbury Street in San Francisco, becoming a fixture on the local music scene and building a large fan base on the strength of their many free concerts.

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The Warlocks made their electric debut that July Ken Kesey soon tapped them to become the house band at his notorious Acid Tests, a series of now-legendary public LSD parties and multimedia 'happenings' mounted prior to the drug's criminalization. By 1962, Garcia was playing banjo in a variety of local folk and bluegrass outfits, two years later forming Mother McCree's Uptown Jug Champions with guitarist Bob Weir and keyboardist Ron 'Pigpen' McKernan in 1965, the group was renamed the Warlocks, their lineup by then including Lesh on bass as well as Bill Kreutzmann on drums. Upon relocating to Palo Alto, California, in 1960, he befriended Robert Hunter, whose lyrics later graced many of Garcia's most famous melodies in time, he also came into contact with aspiring electronic music composer Phil Lesh. The roots of the Grateful Dead lie with singer/songwriter Jerry Garcia, a longtime bluegrass enthusiast who began playing the guitar at age 15. The object of adoration for popular music's most fervent and celebrated fan following - the Deadheads, their numbers and devotion legendary in their own right - they were the ultimate cult band, creating a self-styled universe all their own for the better part of their career orbiting well outside of the mainstream, the Dead became superstars solely on their own terms, tie-dyed pied pipers whose epic, free-form live shows were rites of passage for an extended family of listeners who knew no cultural boundaries. Rock's longest, strangest trip, the Grateful Dead were the psychedelic era's most beloved musical ambassadors as well as its most enduring survivors, spreading their message of peace, love, and mind expansion across the globe throughout the better part of three decades.

Grateful dead members